Back in the winter of 1941-1942, the fashion editor of The Milwaukee Journal, Aileen Ryan, visited Loja and Eliel Saarinen here at Cranbrook. She published an article about her day at the Academy and dinner in the Saarinens’ remarkable home on January 18, 1942: “Furnish Home According to Principles of Architecture” (The Milwaukee Journal, section 7, p. 9).
Ryan vividly describes the ceremonial nature of dinner in the dining room of the house, how hospitality, art, architecture, and food intersect in a totally beautiful and complete way. She writes:
“The dining room is at the left of the entrance and gleams a golden welcome to guests. Light is reflected from a gilded dome ceiling back to the top of the round table made of rays of harewood inlaid with ebony in a way that suggests the sun. Places are set on circular doilies of yellow linen block with black figures which the Saarinens’ son, Eero, made when he was a child. On these are black plates, on these folded yellow napkins and on top of these yellow cups and saucers. Each guest unpiles his cup to get his napkin as the plump brass coffee pot is brought around. It’s delicious coffee and amber enough as it streams from the slender spout to fit into the color scheme.
“Mr. Saarinen looks vastly amused when he tells us the chairs, with their Spanish comb look and sunny as the table itself, are made of Hollywood. He has designed them as he has the other furniture in the house, and they are dramatic. The walls of this golden room, seeming sunny on a gray and snowy day, are of waxed California pine. One of them is nearly covered with a Finnish tapestry made by Greta Skogster in soft terra cotta tones. The ombre [sic] shaded carpet is creamy white and brown.”
She ends the description of dinner:
“A pineapple upside down cake is part of the edible harmony, but Mrs. Saarinen refuses to admit she serves food to carry out the architectural scheme.”
Last weekend we reopened Saarinen House for tours, and many of the items Ryan describes are again on view in the house (the yellow place mats, the black dishes, the golden coffee pot, etc). And on Friday night, as part of our first Finnish Friday, we even brought back pineapple upside down cake! Sweet and Savory Bakery in Oxford, Michigan, generously donated plenty of pineapple upside down cake for guests to enjoy. Without Loja’s recipe but trying to be historically accurate, we used a recipe found in Good Housekeeping in February 1938.
Since this weekend is Mother’s Day, and, for many of us, our mothers are especially connected with memories of food and cooking, I wanted to talk a bit more about food in the Saarinen home. Bob Swanson, Loja’s oldest grandson, told me a few weeks ago that Loja was an excellent cook. He remembers her serving lots of ham and lutfisk at the holidays. As great of a cook as Mormor (Swedish for grandma) was, Bob recalled that most meals were prepared by the housekeeper and served in the kitchen dining area (not on tour). That dining area had plain chairs and a rectangular table with a black Formica top—not quite the drama of the main dining room.
His own mom, Pipsan Saarinen Swanson, was also a great cook. Bob remembers her making wonderful and inventive wartime meals—specifically liver and onions, lamb shanks, and calves brains. Pipsan, whose dresses are currently on display in Saarinen House, was (unknowingly) living journalist Aileen Ryan’s own wartime interests: “rations, passions and fashions.”
Bob laughed when I asked him if he remembered Loja serving pineapple upside down cake to match the décor. He didn’t recall her serving it to him, but said it was just her humor to do something like that. He also remembered how much Loja loved pies, particularly peach pie and pineapple pie–both pies that would coordinate with the décor!
For more Saarinen family stories, come join us for a Saarinen Home tour: Fridays and Saturdays at 2:00pm and Sundays at 1:00pm and 3:00pm. To try out our interpretation of a period Pineapple Upside Down Cake (served in the Saarinen House courtyard outside the dining room) join us for an upcoming Finnish Friday (May 19th, June 9th, and June 23rd). In addition to admission to Cranbrook Art Museum and an open-house in both Saarinen House and the Archives Reading Room, we’ll also have period board games, Saarinen family films, a pianist at the family designed piano, and a cash bar for your enjoyment!
-Kevin Adkisson*, Collections Fellow, Cranbrook Center for Collections and Research
*My mother, for the record, is also an amazing cook.
This is great! Now I’m in the mood for pineapple upside down cake.
THOROUGHLY ENJOYED YOUR ARTICLE, ESPECIALLY THE PERSONAL TOUCH!!!
LOIS ANN HARSH
Love the reference to the culinary powers of the Adkisson progenetrix. As a person who has been subjected to the dried fishy thing, I have to take the opportunity to quote Garrison Keillor from his novel “Pontoon” who describes lutfisk as, “Not edible by normal people. It is reminiscent of the afterbirth of a dog or the world’s largest chunk of phlegm.” Terrible.
Misspelled progenitrix. Sorry, everybody, especially to progenitrices.
Many memories of living in Saarinen House as President of the Academy. When I arrived in 1977, a partial restoration was undertaken, particularly of the studio and dining room of Eliel Saarinen. Work by Cranbrook designers and artists, past and present, were shown throughout the house. I am delighted that Saarinen House, faithfully restored under the direction of Greg Wittkopp, is now shared with a wider audience.
Many a tale to tell and, in relation to the dining room, one in particular comes to mind. In my early days, the dining room furniture was brought up from the basement and the chandelier was hung. The walls were painted sheet rock, the wood panels and alcoves not visible and no gold on the recessed ceiling,
The grandson, Ron Swanson was having lunch with me as we used the dining room occasionally. Ron was reminiscing and recalled that there were alcoves in the corners. Suddenly, he got up from the table and stated punching the corner wall which gave way to reveal the alcove with its original paint! Next were revealed wood panels. Not the most professional way to approach restoration but a start.
And it was my mother, Milla, who started cleaning the fireplace tile and revealed the platinum silver glaze of Pewabic Pottery. More was to come…………
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