While we celebrate Melvyn Maxwell and Sara Stein Smith for their tenacity in getting their Frank Lloyd Wright house built and maintained, there are other aspects to their home ownership to entertain us.
Visitors enjoy coming into a home which is unlike most other FLW houses they have ever seen. This house is full of objects the Smiths collected, loved and placed pretty much where they remain now. Instantly visitors feel this is a home, not just a house museum and that the personalities of the owners come across loud and clear.
The Smiths had a zest for life which filters through to this day.
They were readers; they loved art, particularly ceramics and smaller sculptures they could place on the built-in cypress shelves. At the far end of the living room where Smithy had his built-in desk you might spot a GE Stereophonic High-Fidelity Turntable and speakers. You might also see on the shelves beneath stacks of record albums.
The Smiths owned at least 400 albums and boxed sets ranging from spoken voice through the great musicals to opera and classical music, but the vast majority of their collection was dance music: The Smiths were dancers. Smith himself taught ballroom dance as a means to supplement his meager teaching salary as a younger man. In 1934 he served as president of Detroit’s Northern High School Alumni Association and chaired a semi-annual ball in the General Motors Building ballroom.
In those days, dance halls were everywhere, dancing was the great social activity of the 40s and 50s and easily accessible even to the penurious. Kathryn Watterson in her book Building a Dream quotes Sara Smith as mentioning at least one evening of dance in their young days at the Northwood Inn, a roadhouse in Berkley, Michigan famed for its dance floor and frog legs.
Writing down the names of the albums for cataloging purposes brought me right up against the music the Smiths enjoyed listening to. I can just see them dancing the Lindy Hop to Big Band leader Benny Goodman’s Sing, Sing, Sing. Or maybe more adventurously the quickstep which is a lively, fast-moving dance for the fleet of foot. Something about the Smiths in photos tells me they could handle these dances. Here’s a clip of some So You Think You Can Dance competitors starting with a little Lindy Hop then Charleston then quickstep. All these dances are 4/4 time and fast: Sing, Sing, Sing (Quick step)
Guy Lombardo is another favorite. To these smooth, slightly jazzy tunes you would dance the foxtrot which by the 30s had slowed down from its fast pace. This was a dance invented in the Smiths’ lifetime by one Harry Fox.
If the Smiths got tired of 4/4 time they could find themselves a waltz, maybe to one of their Sing Along with Mitch Miller albums.
They had a number of records called Dance Party. I wonder…
The Smiths left their house and their possessions intact, and through the great beneficence of their extended Smith and Towbes families, the Smith joie de vivre persists in a light-filled gem of a house. In their honor, let’s set up a dance floor outside, put on some big band music and dance by the golden glow of a Frank Lloyd Wright jewel box.
–Lynette Mayman, Collections Interpreter