In preparation for the Center’s upcoming show, Studio Loja Saarinen: The Art and Architecture of Weaving, 1928-42, we recently moved a historic Cranbrook Loom from the Kingswood Weaving Studio across campus to Saarinen House.
I wanted a Cranbrook Loom to be a part of the exhibition as a teaching and demonstration tool, so guests can understand how the many beautiful rugs on display were produced. Studio Loja Saarinen started with just one loom in 1928, but grew to include thirty-five. The original looms used by the Studio were quite heavy and difficult to work with; Saarinen’s unhappiness with them eventually resulted in her demand for a loom built exactly to her specifications. She worked with John Bexell, a skilled cabinet maker and husband of one of the Studio’s weavers, Marie, to construct a loom that was lighter, sturdier, and easier to operate. The first Bexell loom was delivered in 1936.
John P. Bexell descended from a long line of woodworkers. Born in Korstrask, Sweden in April 1899, he emigrated to the U.S. and settled in Flint, Michigan in the 1920s. He had made looms back in Sweden, and when he made the first to Saarinen’s specifications he saw potential in the design and made others to sell.
Loja Saarinen and her weavers were so pleased with the new Bexell-made loom she immediately ordered more. Other weavers ordered the looms too, and Bexell also received a commission from the federal Farm Security Administration for several hundred looms. His career as a loom specialist took off. In 1945, at Loja Saarinen’s suggestion, Bexell named his now quite popular (and profitable) loom the “Cranbrook Loom.” He produced the looms with his son, Bert, in Flint until 1977, when he sold the business.
All that to say, I still needed to get a Cranbrook Loom across campus.
Working with my colleagues Leslie Mio and Matt Horn, along with Matt’s husband Marc Meyers and game members of Cranbrook’s moving crew Ed and Trevor, we got the loom on the go. To exit the weaving studio, we each grabbed a leg of the loom and walked it above the others and out of the double doors, through the courtyard, and into the moving truck.
At Saarinen House, we had to remove the warp stick catcher to get the loom through the door. It then had to turn completely on its side to fit through the narrower interior doors. Nothing but our nerves were harmed in the process.
You might be thinking to yourself, don’t looms come apart? Well, yes. However, the loom had been partially prepped for weaving, and we didn’t want to have to reassemble it from scratch inside the studio. I am not, after all, a loom expert. So instead we twisted and turned until the loom was in place in the Saarinen House Studio!
A few days later, Lynn Bennett Carpenter, Academy alumna and instructor in weaving and fashion at Cranbrook Kingswood Upper School, came to finish setting up the loom for weaving a plaid. There was much tensioning, counting, tensioning, threading, twisting, and tying. It was fun, and quite stressful! One wrong heddle threaded, and our weave would be ruined.
Guests to Saarinen House will now be able to learn about the history of the Cranbrook Loom, see it in action, and even throw the shuttle back and forth to help us make our 12 foot plaid. Tours of Saarinen House start in May and run through December 1, 2019. The exhibition will open during Open(Studios) on April 28, 2019. Come and join us to explore the house and exhibition during our free Opening Reception from 1:00—5:00pm, with demonstrations and lessons from Cranbrook Kingswood Upper School weavers!
– Kevin Adkisson, 2016-2019 Collections Fellow, Cranbrook Center for Collections and Research
Special thanks to Lynn Bennett Carpenter for loaning us the loom, for her time prepping the loom, for volunteering her students to assist in our Open House, and for teaching me how to weave.
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Kevin loved the loom story. As 7th grader in 1951 I was one of whole class who each got a bare loom to assemble and weave two scarves in 10 weeks. What an experience. If one did well was asked back. Pas moi. Some of my classmates wove the whole six years and made their own clothing.
Also in 1969-70 we remodeled our mid century kitchen and Bexell Company did it. Such gorgeous matching teak.
Illness keeps me from show and Columbus trip but surely lived this post! Jeanne
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Loved reading about the history of cranbrook looms. I was just gifted one which I named Lola! I think she’s a unique loom as the weaving width is only 36″. Any guidance on how I can learn more about her vintage would be most welcomed.
I recently inherited what I think is a 1930s Cranbrook countermarche loom (the mark on it reads “J P Bexell, phone 5161, Pontiac, Michigan”) , and I have been looking for resources about it. I’m a novice weaver and have found myself facing the formidable task of re-assembling this loom. While I’ve found diagrams of similar models of looms, there are a few things puzzling me about this one, and I’m reaching out in hopes that you might have materials or knowledge that might help!