Le Corbusier Comes to Cranbrook

On November 21, 1935, celebrated French architect Le Corbusier arrived in Detroit and promptly demanded to be taken to Henry Ford’s River Rouge Complex. That one of the world’s leading modernist architects wanted to visit Ford’s factory shouldn’t have been too surprising, as for the previous two decades Le Corbusier—born Charles-Édouard Jeanneret—had been advocating for a revolution in architecture like Ford’s revolution in transportation.

In his groundbreaking 1923 book, Toward an Architecture (or, as it was titled in its first English translations, Towards a New Architecture,) Le Corbusier made the famous claim, “A house is a machine for living in.” As he believed, “Machines will lead to a new order both of work and of leisure.”

Le Corbusier told reporter Florence Davies of the Detroit News that “Detroit is the logical city for the production of the houses of tomorrow, the pre-fabricated efficient mass-production house.” He went on to claim that it would be automobile manufacturers, not architects, who would “undertake the production of the homes of tomorrow” because they understood the problems of mass production.

But while Ford may have attracted Le Corbusier to visit Detroit during the his one and only trip to America, it was Cranbrook Academy of Art and its president Eliel Saarinen that played host to the great architect.

Le Corbusier, with pipe, and Eliel Saarinen at Cranbrook, November 1935. Richard G. Askew, photographer. Cranbrook Archives.

After seeing the Ford complex and a making a few stops downtown, Le Corbusier wound his way up to Bloomfield Hills. On display in the Cranbrook Pavilion (now St. Dunstan’s Theater) were twenty-four enlarged photographs, a selection of movies, fourteen building and city plans, and a single model documenting his work. These items were part of a small show on the architect open from November 19 to November 22. But the main event was Le Corbusier’s lecture at 8:00pm on November 21, 1935.

Delivered in French and translated by his American associate Robert Jacobs, Le Corbusier enthralled an at-capacity audience with his theories of architecture. He spoke of his work in Europe, including the recently completed Villa Savoye in Poissy. The focus, however, were his theories of city planning and mechanization. Le Corbusier used a sheet of tracing paper some 8- to 12-feet-long and pinned along the wall to execute large, colorful pastel sketches that illustrated his ideas of architecture and planning. This drawing was saved by the Academy, though it has since, sadly, been lost.

Installation view of Modern Architecture:
International Exhibition
at the Museum of Modern Art with Le Corbusier’s Villa Savoye at center and in photographs on left, February 9–March 23, 1932. While no photographs of Le Corbusier’s lecture or exhibition at Cranbrook survive, it was likely similar to this installation. MoMA Archives.

Le Corbusier lectured throughout most of his career as an architect. As he told an interviewer in 1951:

I never prepare my lectures…Improvisation is a wonderful thing: I draw, and when you draw and speak at the same time, you create something new. And all my theory—my introspection and retrospection on the phenomenon of architecture and urbanism—derives from my improvisation and drawings during these lectures.

After the Cranbrook lecture, Le Corbusier was the guest of the Academy of Art’s Executive Secretary Richard Raseman and Instructor in Interior Design Rachel DeWolfe Raseman. The couple had both studied architecture at Cornell (Rachel Raseman was Cornell’s first woman architecture graduate) and resided at Academy Residence #3 across Academy Way from Saarinen House. In the morning, Le Corbusier continued by train to the next stop on his cross-country journey.

As the Detroit Free Press reported November 22, “With a few deft strokes Thursday, Le Corbusier, the famous French modernist-architect…sketched the vision that he sees through what is perhaps the most ponderous pair of eyeglasses ever fabricated.”

Le Corbusier in his famous eyeglasses at Cranbrook, November 1935. Richard G. Askew, photographer. Cranbrook Archives.

Alongside an earlier lecture in April 1935 by Frank Lloyd Wright, the visit to Cranbrook by Le Corbusier was one of the highlights of the Academy’s first decade. Reflecting in his Annual Report to the Cranbrook Foundation, Richard Raseman wrote that:

The Le Corbusier lecture, although delivered in French, was a good show, and as he is a world figure we were well satisfied…the public must have agreed with us as these lectures [by Wright and Le Corbusier] were by far the best attended of any of our functions…men of this caliber are rare indeed.

To learn more about Le Corbusier and his visit to Cranbrook, sign up for the Center’s History of American Architecture: Cranbrook Visitors Lecture Series! For the next five weeks, I will be discussing visitors, like Le Corbusier, who have lectured at Cranbrook since the Academy opened in 1932. From Le Corbusier, Wright, and Alvar Aalto in the 1930s through to Jeanne Gang, Greg Pasquarelli, and David Adjaye in the 2010s, I will tell the story of American design through architects who’ve spoken at Cranbrook. Learn more and sign up on our website. “See” you Monday at 11:00am or 7:00pm EST for our first virtual lecture!

Kevin Adkisson, Associate Curator, Cranbrook Center for Collections and Research

One thought on “Le Corbusier Comes to Cranbrook

  1. Greetings Kevin!

    I enjoyed reading this piece. Once when patrons can gather again, having someone recreate his presentation (with some artistic license) would be interesting and fun. What do you think?

    Like

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