The Center has made a new film! As part of our recent gala fundraiser, A House Party at Two Cranbrooks, we worked with Elkhorn Entertainment & Media to produce a short documentary about the Booth family’s connections between England and Michigan. Today, we are excited to share the film with the wider world! Watch the film below, or here.
A Tale of Two Cranbrooks
Now that you’ve seen the new documentary, I thought I’d invite you “behind-the-scenes” into how A Tale of Two Cranbrooks came together.
Cinematographer Josh Samson and producer Vince Chavez film the Booth-made tea kettle in Cranbrook House. April 6, 2023. Photograph by Nina Blomfield.
As with all Center projects, I started work on the film in Cranbrook Archives. The Booth family records are extensive, and with our archivists Deborah Rice and Laura MacNewman, I spent several afternoons consulting documents (letters, photographs, manuscripts, scrapbooks, etc.) assembled by many generations of Booths to learn the family story. Henry Wood Booth’s handwritten The Annals of Cranbrook were especially helpful.
Detail of a postcard of Cranbrook, Kent with handwritten notes by Henry Wood Booth, from The Annals of Cranbrook manuscript, 1914. Cranbrook Archives.
Then, through the support of Bobbi and Stephen Polk and Ryan Polk, I travelled to England! I visited Cranbrook, Kent, spending time at Cranbrook Museum and Archives and at Cranbrook School. (You can watch a walking history tour I did in Cranbrook, Kent, here and learn more about the Booth family and my trip to England in my virtual lecture, Uncovering Cranbrook: Two Pilgrimages to Kentish Cranbrook.)
As performance venues prepare to reopen in Michigan today, I thought it timely to take a look at the storied history of a group that’s nearly as old as Cranbrook itself: St. Dunstan’s Theatre Guild of Cranbrook. With ties to Cranbrook’s founding family, staff, and the physical Cranbrook campus, combined with its enduring cultural role in the surrounding community, this nearly ninety-year-old institution has a rich history. Allow me to share with you a few fascinating details from its early years.
View of St. Dunstan’s Playhouse from Lone Pine Road looking east. Balthazar Korab, photographer. Copyright Korab and Cranbrook Archives.
“The worst thing about it, it’s named for a saint. But don’t think it’s holy, ‘cause it certainly ain’t.”
Sheldon Noble, an early and active Guild member
The Theatre Guild was indeed named after St. Dunstan, Archbishop of Canterbury in the ninth century and patron saint of the arts. As St. Dunstan lived in Kent, England, from where Cranbrook founder George Booth’s family hailed, the Guild’s name was fittingly suggested by his son and founding member, Henry Scripps Booth. Shortly after the Guild began in 1932, members were writing and producing their own one-act plays. In an April 1933 letter announcing an informal evening of a “Home Talent programme,” for the 100 Guild members and their guests, Jessie Winter, Guild Secretary and Brookside School Headmistress, implores them to “Be kind, be understanding, be generous . . . give the actors and authors the warm reception which such offerings warrant.” One such author was Henry Scripps Booth. Billed as Thistle, his play, Sedative Bed, was one of four being performed that April 28th evening at Brookside School for just $1. It was the tail end of the Great Depression, after all!
Front and back cover of the 1933 playbill. Courtesy of Cranbrook Archives, Cranbrook Center for Collections and Research.
The first public performance of St. Dunstan’s Theatre Guild took place at the Greek Theatre with The King and the Commoner. Taking supporting roles were the likes of Annetta Wonnberger (Cranbrook Summer Theater School), Pipsan Saarinen Swanson (daughter of Cranbrook architect Eliel Saarinen), and Henry Scripps Booth, among others.
A scene from The King and the Commoner. Henry Booth on right. Detroit newspaper rotogravure clipping. Courtesy of Cranbrook Archives, Cranbrook Center for Collections and Research.
The cast and crew of the 1940 production of The Last of Mrs. Cheyney again reads like a who’s who of Cranbrook, including Harry Hoey (Cranbrook School Headmaster), Templin Licklider (Cranbrook School Faculty), Dorothy Sepeshy (wife of Cranbrook Academy of Art President, Zoltan Sepeshy), Rachel Raseman (wife of Richard Raseman, Cranbrook Academy of Art Executive Secretary and Vice President), the aforementioned Annetta Wonnberger, and various members of the Booth Family. Henry Scripps Booth, part of the Guild’s Scenic Design Committee, and his wife Carolyn, the production’s stage manager, created the sets.
Cranbrook Kitchen Sink 