To the north of the narthex at Christ Church Cranbrook stands the Baptistry, where infants are christened with the pouring of water over the head.
Holy Baptism is full initiation by water and the Holy Spirit into Christ’s Body the Church. – The Book of Common Prayer
The whole Baptistry is a work of art, featuring an ornate wooden screen topped by the Lamb of God, a baptismal font with an ornate cloisonné cover that sits upon an exquisitely carved base, and a beautiful mosaic ceiling.

Christ Church Cranbrook, Baptismal Font, 1928. Peter A. Nyholm, photographer. Courtesy of Cranbrook Archives, Oscar H. Murray Photograph Collection.
Today, I want to focus on the ceiling by Mary Chase Perry Stratton and her Pewabic Pottery.
As George G. Booth was constructing Christ Church, he looked for the best craftspeople. In a 1926 letter to Bertram Grosvenor Goodhue Associates, architects of the church, Booth states, “I should be pleased if we are able to have a piece of Pewabic work in the Church and have thought the most suitable location would be the vault of the Baptistry”
After a seven-year rift with his old friend Mary Chase Perry Stratton over not allowing her creative license on projects at Cranbrook House, Booth offered an olive branch by giving Stratton the artistic freedom to create the Baptistry ceiling in 1926. This included the mosaic’s material and size, and how to incorporate the symbols of the seven gifts of the Holy Spirit into the work.

Christ Church Cranbrook, Baptistry Ceiling, 2015. P.D. Rearick, photographer. Copyright Cranbrook Center for Collections and Research.
The gifts of the Holy Spirit, which the initiant receives at baptism, are represented as follows: Wisdom is a Beehive (also a favorite symbol of the Booth family), Understanding is a Lamp, Counsel is the Star, Fortitude is an Oak, Piety is a Cross, Knowledge is a Book, and Godly Fear (Peace) is a Dove.

Christ Church Cranbrook, detail of Baptistry Ceiling, 2015. P.D. Rearick, photographer. Copyright Cranbrook Center for Collections and Research.
As former Cranbrook Center Collections Fellow Stephanie Kae Dlugosz-Acton wrote in the publication from her exhibition, Simple Forms, Stunning Glazes: “These symbols are centered on treetops resembling fleurs-de-lis. At the base of each of these saplings, a sea of blue tiles of varying shades surround two different animals, usually one mammal and one bird. All of the small tesserae tiles have the signature iridescence of Pewabic and create a glittering effect that shifts as one moves through the intimate and reverent space.”

Christ Church Cranbrook, detail of Baptistry Ceiling, 2015. P.D. Rearick, photographer. Copyright Cranbrook Center for Collections and Research.
What a wonderful gift to all families who share a Christening in this Baptistry, and to all the visitors to Christ Church Cranbrook.
– Leslie S. Mio, Associate Registrar
LESLIE, A WONDERFUL REMINDER OF THE SUPREME BEAUTY OF PEWABIC TILES AND GEORGE BOOTH’S BEAUTIFUL VISION FOR HIS CHURCH!!!!
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