Neighborly Relations: Cranbrook and Stonelea

In recent years, new residential development along the small strip of Cranbrook Road between Lone Pine Road and Woodward Avenue has given Cranbrook a few new neighbors. One of Cranbrook’s first neighbors on the street, however, dates back one hundred years!

As George and Ellen Booth began developing their country estate in the mid-1920s into what we know today as Cranbrook Educational Community, a new house was completed just north of what would soon become Kingswood School for Girls.

Picture of Stonelea from an ad in Afterglow: A Country Life Magazine, August-September 1925.

Ralph Stone, president of the Detroit Trust Company, with which George Booth did business, purchased this land around 1923. He quickly commissioned Albert Kahn to design a country residence for the site, which Stone named “Stonelea.” This was just a few years after Kahn had completed additions to Cranbrook House.

Residence for Mr. Ralph Stone. Albert Kahn Architect. November 17, 1923. Courtesy of Cranbrook Archives.

The close neighbors shared some correspondence regarding their properties that provides a glimpse of both men’s personalities, and highlights their shared affability and elegance of prose. Their letters, part of the George Gough Booth Papers, begin a year before Ralph Stone and his wife Mary would finalize construction of their home in 1925. It seems they could not wait to spend a summer of leisure in Bloomfield Hills, away from the hustle and bustle of Detroit. The Stones sought to rent the Booth’s Brookside Cottage–an impossibility due to occupancy by Booth family members.

But perhaps the most interesting exchange takes place in 1926 when Ralph writes regarding the shocking lack of water needed to preserve his lawn and garden in a green state in the middle of July (not a problem in 2024!). He proposes to pump water from Cranbrook, but George’s reply a week later masterfully circumnavigates the issue:

Opening lines of the George Booth letter, August 2, 1926. Courtesy of Cranbrook Archives.

In Ralph’s reply he acquiesces with good humor:

Second paragraph of the Ralph Stone letter, August 3, 1926. Courtesy of Cranbrook Archives.

The sentiments expressed in these letters appear genuine as their families remained on neighborly terms. George and Ellen were occasional guests at Stonelea for dinner parties until the Stones sold their property in 1931.

In fact, Ralph Stone proved to be much more than just a friendly neighbor of George Booth, continuing his connection to Cranbrook long after he had moved from the area. He was an early and steadfast supporter of Cranbrook, serving on various boards for over twenty-five years as a Cranbrook School Trustee (1928-1951), Kingswood School Trustee (1930-1951), Brookside School Trustee (1945-1951), Academy of Art Trustee (1941-1946), and Foundation Trustee (1940-1952).

George Gough Booth and Ralph Stone attend the 80th birthday party of Ellen Scripps Booth at Cranbrook House, 1943. Courtesy of Cranbrook Archives.

Today, Stonelea is no longer just a neighbor: the property was acquired by Cranbrook Educational Community in 2003. In the coming years, Stonelea will become the future home of Cranbrook Center for Collections and Research!

Read the Ralph Stone letters in their entirety in the Archives’ Digital Collections, or, learn about a famous occupant of Stonelea: Anne Morrow Lindbergh: The Cranbrook Connection.

Deborah Rice, Head Archivist, Cranbrook Center for Collections and Research

Surprising Transparency: W. & J. Sloane’s Stained Glass

When you take the time to look, the windows of Cranbrook House are surprisingly varied. Some are leaded casement windows straight out of an Elizabethan manor house, others are modern sash windows, fitted with plate glass. A few rooms in the house enjoy a special distinction – their windows are fitted with inset panels of stained glass.

Horse and Rider Panel, Flemish, circa 1525. Photographed by Eric Perry. © Cranbrook Center for Collections and Research.

These stained-glass panels were a later addition to Cranbrook House. When first completed in 1908, the windows were all clear glass. It was only while pondering extending the house, in the latter half of the 1910s, that George Booth began purchasing stained-glass panels for his home. The most prominent stained-glass work in Cranbrook House is the 16th-century Flemish panel, depicting a man on horseback, placed in the main window over the staircase in the Reception Hall.

It was not part of the original design for the window, but added in 1922. That panel, and several others scattered throughout the house, were purchased from Thomas & Drake, an English firm specializing in historic glass.  

Heraldic Panel of the City of Bern, Swiss, 1675-1700. Photographed by Sophie Russell-Jeffrey. © Cranbrook Center for Collections and Research.

Others, like the heraldic roundel in the library’s east window, were purchased by the Booths in Lucerne, Switzerland. There was some debate as to their final destination. George Booth wrote, in a letter to his son Henry, in March 1922:  

They do not make an imposing collection but I think they are good and that everyone will like them – I did think I would let the [Detroit] museum [of Art] buy them at cost if they wished to begin to accumulate some historical glass, but your mother and Florence say no – they are to be put into the windows at Cranbrook but we will see. 

(George Gough Booth to Henry Scripps Booth, 26 March 1922. Cranbrook Archives, George Gough Booth Papers.) 

In the event, Ellen and Florence won out, and at least a few of the Swiss purchases made their way into the windows of Cranbrook House. 

Continue reading

HUB Student Films

Films titles like Farewell My Summer Love, The Nightmare, and Dormitory of the Dead were recently rediscovered while working on the Horizons-Upward Bound (HUB) digitization project. The 8mm film reels were unmarked, but cross-referencing with film festival entry packets and faculty reports in the HUB Records, along with viewing the first few frames of each reel, revealed their origin.

Produced in 1984 by HUB summer students in John Prusak’s class, these films had been submitted to The Michigan Student Film and Video Festival, held at Friends Auditorium, Detroit, MI in 1985.

Opening scene from The Nightmare, 1984.
Courtesy of Cranbrook Archives.

Top section of film evaluation sheet for the Michigan Student Film and Video Festival, 1985. Courtesy of Cranbrook Archives.

Digitizing film for today

When applying for the grant that is allowing digitization of the HUB Records only one student film, The Great Dictator, from William H. Moran’s 1969 summer class, had been labeled and identified. So it was indeed a nice surprise to find that there were more! Along with the 1969 film and a fifth film, Together, produced in John Geoghegan’s Advanced Film Class 1972 summer class, the 1984 films were sent to a lab for digitization.

Scene from Farewell My Summer Love, 1984. Courtesy of Cranbrook Archives.

Viewing the digitized films helped further identify the students involved and corroborate the information listed on the entry forms. With this information in hand, we have eagerly begun sharing this newly accessible resource with the HUB community.

Head archivist, Deborah Rice, screens two films during Cranbrook Schools Reunion Weekend June 2024. Courtesy of Cranbrook Archives.

Future Discoveries

The summer film elective class was offered sporadically throughout HUB’s history beginning in 1969. It is yet unknown how many films have been produced over the years. Other titles listed in the 1985 festival entries alone include six films: Money, Spectrum, Street People, That’s Life Kid (It’s Gonna Be Lonely II), The Mix, and Class of 86 – Memories. Together, the films are invaluable documentation of the student perspective.

Please reach out to archives@cranbrook.edu with any information about the films mentioned above or other HUB student films. We’d love to know more!

Courtney Richardson, Project Archivist and Deborah Rice, Head Archivist, Cranbrook Center for Collections and Research

HUB digitization is funded by a NHPRC Archival Projects Grant for projects that ensure online public discovery and use of historical records collections. The NHPRC was established by Congress in 1934 as a statutory body affiliated with the National Archives and Records Administration and chaired by the Archivist of the United States.

Create a website or blog at WordPress.com