Photo Friday: Underlying Principles of Beauty

St. Paul Chapel reredos. Courtesy Cranbrook Archives.

St. Paul Chapel reredos. Courtesy Cranbrook Archives.

In a letter to George G. Booth ca 1931, Detroit News Art Critic Florence Davies, writes of artist Hildreth Meiere, “All over the place she discovered these refinements of line, these essential underlying principles of beauty. I have taken many people to Cranbrook, never anyone who saw it with so much understanding.”

Meiere (1892-1961) was a distinguished Art Deco muralist, painter, and decorative artist. Her commissions range from the medallions on the exterior of Radio City Music Hall to the dome in the National Academy of Sciences in Washington D.C. to the reredos panels in St. Paul’s Chapel in Christ Church Cranbrook. Educated at Manhattanville, the Art Students League, the California School of Fine Arts, the School of the Art Institute of Chicago, and in Florence, Italy, Meiere was a renowned muralist, as well as an important figure in the history of American Liturgical Art, and a preeminent mosaicist.

“It drives me wild to be spoken of as ‘one of the best women artists,” Meiere wrote to a friend in 1936, “I’ve worked as an equal with men and my rating as an equal is all that I value.” In 1956, she was the first woman honored with The Fine Arts Medal of the American Institute of Architects. Although it has taken years for her work to be discovered and viewed in its rich cultural context, we are grateful for her artistry here at Cranbrook.

Note: You can view more information and images of Hildreth Meiere’s work here.

Gina Tecos, Archivist

Photo Friday: A Labor of Love

Christ Church Cranbrook Interior. Cranbrook Historic Photograph Collection, Cranbrook Archives.

CCCnave

Christ Church Cranbrook Nave. Cranbrook Historic Photograph Collection, Cranbrook Archives.

After a visit to Christ Church Cranbrook earlier this week, I knew it needed to be highlighted as today’s Photo Friday! George G. Booth conceived Christ Church to be the moral center of the new community which he was building at Cranbrook. The photos show a great overview of the expansiveness of the church and shed some light on the magnitude of the work involved in its design. Each of these elements adds to the overwhelming detail of George Booth’s vision and the care in the design of Christ Church Cranbrook.

The church is Booth’s testament to the Arts and Crafts movement. He carefully acquired and commissioned each work of art to add to the overall wonderment of the church and to pay tribute to those who have devoted their lives toward artistic and altruistic pursuits.  The works of art range from the sterling altar plate to stained glass windows, altar frontals, tilework, woodcarvings, paintings, sculptures, and metalwork, most from noted Arts and Crafts men and women.

These photographs, taken five years after the 1928 dedication of Christ Church Cranbrook show the interior of the church sanctuary and a detail view of the nave of the church. The large fresco flanking the high altar was designed and executed by Katherine McEwen, an old friend of Booth’s, and one of the founding members of the Detroit Society of Arts and Crafts.  From the work of Katherine McEwen to Oscar Bach, Samuel Yellin, and Hildreth Meire, to name a few, Christ Church Cranbrook is an architectural gem which should be experienced in person!

Stefanie Dlugosz, Center for Collections and Research, Collections Fellow

 

Website Powered by WordPress.com.

%d bloggers like this: