Photo Friday: Smith House and the 1960 Plymouth Suburban

Oakland County is decked out in checkered flags this Friday for the annual Woodward Dream Cruise. As the crowds gather in their folding chairs and thousands of classic cars roar past my windows, I’m reminded of a much more serene image from automotive history: the 1960 Plymouth Suburban stretched out on the manicured lawn of the Frank Lloyd Wright Smith House.

1960 Plymouth Suburban, on location at the Frank Lloyd Wright Smith House. Smith Papers, Cranbrook Archives.

In 1959, Chrysler was developing promotional materials for the 1960 Plymouth. Seeking a sleek, modern backdrop for the long lines of the Suburban station wagon, Chrysler’s Public Relations Department contacted Melvyn and Sara Smith about staging a photoshoot at their Frank Lloyd Wright-designed home in Bloomfield Hills. The resulting photographs show the 18-ft long Suburban, not parked in the pea-gravel driveway or the distinctive cantilevered carport, but pulled to the back of the house where it could be reflected in the natural setting of the Smith’s newly expanded pond.

1960 Plymouth Suburban, on location at the Frank Lloyd Wright Smith House. Smith Papers, Cranbrook Archives.

The long, low horizon line of Frank Lloyd Wright’s Usonian architecture, with its stacking roof planes, seems a great fit for the station wagon’s extended style lines and characteristic fins. In a second image, two casually-dressed models (check out those long socks and walking shorts!) lounge in rattan Tropi-Cal armchairs on the living room patio. Designed by Danny Ho Fong, the Tropi-Cal armchairs were recently identified through the diligent research of the Center’s Summer intern Clare Catallo.

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Photo Friday: Rosa Parks at HUB

Last weekend, Cranbrook’s Horizons-Upward Bound program celebrated the completion of its fifty-eighth annual six-week summer residency program. Students and their families spent Theme Day on campus learning about the academic and artistic successes of the summer (including a display organized by the Center about our Architecture Elective, and a performance in the Greek Theatre by students and the Autophysiopsychic Millennium collective).

Rosa Parks addresses Cranbrook’s Horizons-Upward Bound graduation, held at Cleveland Middle School, July 11, 1989. Cranbrook Archives.

But did you know that in 1989, HUB celebrated the end of the summer with a special graduation address by legendary activist Rosa Parks? The “mother of the freedom movement,” Parks spoke to Cranbrook’s HUB students in a ceremony held at Cleveland Middle School in Detroit on July 11, 1989.

A speaker at the HUB graduation stands beneath a banner welcoming Rosa Parks, July 11, 1989. Cranbrook Archives.

While we couldn’t find the subject matter of Park’s HUB address or too many details of the special occasion, I am confident we will learn more about this moment in HUB history (and so many others) as Cranbrook Archives embarks on an exciting, multi-year digitization effort of the Horizons-Upward Bound Records made possible by a grant from the National Archives and Records Administration, through the National Publications and Records Commission’s Access Program.

In fact, the work has already begun! During the summer months, two current HUB students worked in the archives, digitizing more amazing materials like these images of Rosa Parks! Look for more Cranbrook Kitchen Sink posts drawn from the HUB collection in the future!

Kevin Adkisson, Curator, Cranbrook Center for Collections and Research

Photo Friday: Nash-Healy Pinin Farina

In honor of the Woodward Dream Cruise, happening in front of Cranbrook’s Woodward Entrance as I write, I thought we’d look back at this fabulous photograph of an unknown woman and a beautiful 1950s Nash Pininfarina parked in front of Cranbrook School for Boys’ study hall. This photograph is part of Cranbrook Archives’ Floyd Bunt Papers.

Nash-Healy Pinin Farina parked next to Cranbrook School for Boys, ca. 1956. New Center Photographic, Inc., photographer. Cranbrook Archives.

Toronto-native Floyd Bunt joined the faculty of Cranbrook School in 1944 and taught Chemistry and Engineer Science. He also was the faculty advisor for the Rifle Club and taught auto mechanics classes to the boys, quite possibly using this Nash-Healy Pinin Farina. He eventually served as chairman of the Science Department at Cranbrook from 1964 to 1969.

The Nash-Healy is a two-seat luxury sports car, made between 1951 to 1954. It was one of the first sports car sold in America after World War Two, launched two years before the Corvette. The 1951 models were built in Britain, and the redesigned 1952 through 1954 models built in Turin, Italy by Pinin Farina. There were only 506 of this chic little cars made, and it looks like our photo shows a 1953 roadster. I do wonder who owned it, and why this photo was taken!

Perhaps you’ll be venturing out to Woodward Avenue this weekend for the Dream Cruise. I’ve been enjoying the historic cars that are already cruising; perhaps there’s even a Nash-Healy Pinin Farina out there! Send us a picture if you see one!

Kevin Adkisson, Associate Curator, Cranbrook Center for Collections and Research

Photo Friday: Cranbrook House, 1909

As the temperature dips and the days get shorter, it sure would be nice to end the week reading a book next to a roaring fire. The Booths likely had the same idea their second winter at Cranbrook House, where they could have curled up by the fire…on their new polar bear rug!?

Cranbrook House Living Room, ca. 1909, with one incredible rug. Photo from the collection of Carol Booth. Courtesy Cranbrook Archives, CCCR. Copyright Cranbrook Educational Community.

Elsewhere in the cozy Living Room of 1909, we see objects that are still in Cranbrook House today: the Ships at Sea painting by Robert Hopkin; the bust of Edgar Allen Poe (1898) by George Julian Zolnay; and even the mahogany desk chair, by W. & J. Sloane Company. Some objects are no longer at Cranbrook—the registrar and I can’t quite match the rocking chair, that exact easy chair, the lamp, or the candlesticks to things in the collection. The painting above the fireplace, The Penitent Magdalene after Carlo Dolci, is also no longer here in the house.

Where did these things go? Well, George and Ellen Booth lived in this house for another forty years after this photo was taken! They constantly added to, gifted away, and sold pieces from the collection.

But not everything in this photograph that left the house went entirely off campus. You may notice one piece on the mantle: Recumbent Lioness by Eli Harvey. Booth purchased this sculpture in 1909 from Tiffany & Company in New York. In the 1930s, he gave this lioness to the new Cranbrook Art Museum, where it was assigned the first accession number in the collection: 1909.1. (It’s not actually on campus at the moment: it’s currently on display in Switzerland!)

Recumbent Lioness, Eli Harvey (born 1860, Ogden, Ohio; died 1957, Alhambra, California). Foundry: Pompeian Bronze Works, New York. Bronze; 7.5 x 5 x 21.5 inches. Gift of George Gough Booth and Ellen Scripps Booth, CAM 1909.1. Photograph by R. H. Hensleigh and Tim Thayer. Courtesy of Cranbrook Art Museum.

Using photographs like the one from 1909, as well as diary entries, books, and other records in Cranbrook Archives, I’ve spent the past week re-arranging Cranbrook House’s first floor back to this early aesthetic. On Sunday, the Center is partnering with Cranbrook House & Gardens Auxiliary to present a very special virtual tour: Home for the Holidays at Cranbrook House. I’ll be your host and guide, and will be joined (virtually) by volunteers from the Auxiliary to help share stories from holidays past. I think you’ll really enjoy this tour—there are lots of beautiful things I’ve placed back on display, and we are all very excited to share them with you!

Kevin Adkisson, Associate Curator, Cranbrook Center for Collections and Research

PS: You’ll need to join our tour Sunday to see if the polar bear rug has made a reappearance!

Photo Friday: Academy of Art Graduation Day

Congratulations to the Cranbrook Academy of Art students who graduated with their MFA’s and MArch’s today! The ceremony was held in Christ Church Cranbrook, after too much rain water-logged the Greek Theater. Did you know the ceremony used to be held in the library?

Although the Academy welcomed students in 1932, it first granted degrees in 1942 after being chartered by the State of Michigan as an institution of higher learning.

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Cranbrook Academy of Art Convocation in the Academy of Art Library, May 1948. Harvey Croze, photographer. Copyright Cranbrook Archives.

The first convocations were held in the Academy Library. Here, in 1948, we see Henry Scripps Booth speaking, with Zoltan Sepeshy seated to his far left and Carl Milles and Eliel Saarinen to Booth’s right. In the foreground of the image, bursting with blooms, is Maija Grotell’s blue and platinum vase of around 1943.

– Kevin Adkisson, 2016-2019 Collections Fellow, Cranbrook Center for Collections and Research

Photo Friday: Division of Days

In pre-Columbian Mesoamerica, the calendar originated by the Mayans included 260 days. The “tzolkin” or “division of days” displayed in today’s photo are described as ceremonial or mythological. The calendar pages are part of a series of Mayan glyphs collected by Robert Hall Merrill (1881-1955). Merrill, an engineer and businessman, was a member of the Board of Trustees at Cranbrook Institute of Science from 1944-1953, as well as a consultant in the Anthropology department from 1948-1949.

Tzolkins 6 and 7 from the Robert Hall Merrill Papers, ca 1922.

Mary Miller, director of the Getty Research Institute, describes the Mesoamerican calendar as the oldest and most important calendar system (earliest evidence dating to 800-500 BCE). The original purpose of the 260-day calendar is unknown, but there are several theories. One theory is that the calendar is based on the mathematical operations for the numbers 20 and 13 (important numbers in the Mayan culture). The calendar combines a cycle of twenty named days with another cycle of thirteen numbers to produce 260 days. Each named day has a corresponding glyph as seen in the photo above.

The glyphs are part of a series sent to Merrill by Edith Gates McComas, sister of Maya scholar, William Gates. This extraordinary material was transferred to Cranbrook Archives in 2016.

Gina Tecos, Archivist

 

Photo Friday: Details, Details, Details

Recently, I have been researching the objects in the historic rooms at Cranbrook House. The things I have noticed the most about these objects are the details: it seems no object was chosen for the house that did not have detailed ornamental carvings, woodwork, or decoration. Here are a few of my favorites:

 

– Leslie S. Mio, Associate Registrar

Photo (Shoot) Friday

In preparing for the Center’s upcoming Edible Landscapes Dinner, I came across a series of images from a photo shoot of George and Ellen Booth in the 1940s. Some images were clearly taken in the Cranbrook House Library or Oak Room, but other images were harder to place.

Here, George and Ellen are seated with a magazine, and she is examining a vase. Below (after a wardrobe change), they’re seen opening a package. While it may not look like a room we know in Cranbrook House, they’re in Mrs. Booth’s Morning Room—Mr. Booth’s old office.

With the completion of the West Wing addition to Cranbrook House in 1918, George Booth relocated his office to a larger suite of rooms beyond the grand new Library. His first office, original to the 1908 home, was converted into a Morning Room for use by Ellen. The conversion was spearheaded by the Booth children, who remodeled the space as a Christmas gift for their mother in the 1930s. Mrs. Booth apparently loved the room, and made great use of its bright, cheery atmosphere.

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Ellen Booth’s Morning Room in Cranbrook House, 1952. Cranbrook Archives.

George insisted that the renovation of his old office be reversible to the original Albert Kahn design. You can see in the photographs the seams of the panels that made up the new pale walls. In 1993, the room was returned to its original appearance as George’s office by the Cranbrook House & Gardens Auxiliary.

The images from this photo shoot in the 1940s have been used over the years in various Cranbrook histories and publications focused on the Booths themselves. I’m appreciating the photos for showing a small glimpse into the life of Ellen and her now-gone Morning Room.

Kevin Adkisson, Collections Fellow, Cranbrook Center for Collections and Research

Photo Friday: Model Club

Gregg and Model Class

Cranbrook School’s Model Club, March 1952. From left: Faculty Advisor Richard Gregg, David Higbie, Don Young, David Morris, President Richard Gielow, Adams McHenry, Don Hart, Pete Dawkins, Dahmen Brown, and Jerry Phillips. Harvy Croze, photographer. Courtesy of Cranbrook Archives.

This week’s Photo Friday shows the Cranbrook Model Club of 1952—a well-dressed group of Cranbrook School boys and their faculty advisor, Richard Gregg, who met to further their interest and skills at model making. Models, of course, interested Cranbrook’s founder George Booth and are integral to the architectural design process, so its fitting that Cranbrook School had a Model Club.

Model making as a middle-class hobby boomed after World War II, when boys and their fathers were encouraged to take up productive and wholesome pursuits in their leisure time. The broad affordability and availability of plastic model kits meant hobbyists didn’t have to have special tools or carving skills to produce a model—anyone could assemble a kit! Looking closely at the photograph of the Model Club (you can zoom in on the photo here), I believe these are airplanes assembled from such kits.

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Cranbrook School art class with instructor Richard “Dick” Gregg sculpting a bust, 1952. Harvy Croze, photographer. Courtesy of Cranbrook Archives.

The model club’s advisor was Richard Gregg, a 1951 Academy of Art graduate. Born in Kalamazoo, Gregg studied sculpture at the Academy. While a student, he worked on various sets for productions by St. Dunstan’s Theater. Following his studies, he taught art at Cranbrook School for Boys during the 1951-1952 school year. After he left Cranbrook, his love of art and art education continued; Gregg went on to work in museums as a design instructor, a curator, and a director at various places across the Midwest and East Coast.

I don’t know that much about the Cranbrook Model Club, but on this hot, blue-skied Friday, I thought it was a nice moment for a photo of something as leisurely and enjoyable as model airplanes!

– Kevin Adkisson, Collections Fellow, Cranbrook Center for Collections and Research

Photo Friday: Feasting Together

The Center hopes you and your loved ones had a fantastic Thanksgiving, and that you were able to have a great meal together like these Cranbrook students back in 1935!

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Cranbrook School for Boys Dining Hall. Photographer, Dick G. Askew, June 1935.

Kevin Adkisson, Collections Fellow

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